(It's scheduled to ship in September)
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Clothing for Humans
You know what you are? You're Evidence of Humanity! This 100% cotton thick black cotton shirt was frickin' made for you! It's a beautifully simple design-- the empirically accurate EVIDENCE OF HUMANITY statement on the front, Mike and Marco's names and www.keneally.com on the back. What more does any human need? Order yours from MooseMart.com! |
Mike Keneally was someone Marco hoped would dig the idea. In the throes of recording his intense and complex Scambot 1 opus, Mike leapt at Marco's offer-- the creation of Evidence of Humanity would be a joyous, freewheeling counterpoint to his meticulous work on Scambot. "A fun ride," Mike would recall. (Of course, Marco recorded his own fantastic version, too, available at marcominnemann.com.)
The ecstatic result is two of the world's foremost musicians improvising together, but not at the same time. It's a record unlike any other that Mike has recorded (but probably closest to Nonkertompf, his indefinable, mostly instrumental 1999 solo extravaganza). Evidence of Humanity seems to have a life of its own, mutating and maturing with each listen.
Accompanying the Evidence of Humanity CD is a DVD containing a tasty reimagining of the original concept. This time, Mike and Marco got together in real time and vaulted into the ether for another 52-minute musical improvisation, a feat that was videotaped for your pleasure. The DVD also includes an insightful conversation between the two kindred musical spirits, shot in the back seat of a car hurtling toward the Southern California desert's dilapidated Salton Sea.Evidence of Humanity's songs:
- Respect?
- Evidence of Humanity
- Three People Run Naked Through School
- Tooth and Cold Stone Pew
- Now
- Bastards Into Battle
- You, And Your Problems
- Bad Friday
- Rough Time At The Hotel
- Whoa
- Kaa
- Clown Removal
- Forgive and Remember
- Apex Music
- Our Collective Wisdom To Date
- Trying
- A Place to Stay For The Night
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Click here
for your free "Evidence of Humanity" song download! Mike Keneally/Marco Minnemann It's a free song download from Evidence of Humanity, the astounding collaboration between Mike and renowned drummer/Keneally cohort Marco Minnemann. "Evidence of Humanity" is the title track (track 2) of the Evidence of Humanity CD/DVD (a high-quality 256k VBR mp3, a 4.6 MB zip file) direct from the master recording. Enjoy! |
Evidence of Humanity DVD's selections:
- Elements of a Manatee -- live duo improv (54:54)
- A Conversation with Mike and Marco (39:59)
Guitarist/keyboardist Mike Keneally and notorious drummer Marco Minnemann improvise twice together on the new Exowax CD/DVD Evidence of Humanity. The CD contains the amazing result of Mike composing over Marco's pre-recorded 52-minute "Normalizer 2" drum solo, and the DVD features them coming back for more, this time in real time. Here's a short clip from the DVD's live improv session (entitled Elements of A Manatee) in Marco's lair. (Elements of A Manatee directed by Dave Foster)
The Evidence of Humanity DVD also includes an insightful conversation between these two astounding musicians. Here's a short clip from that discussion, from the back seat of a car hurtling toward the California desert's dilapidated Salton Sea.
Words from Mike about Now, by popular demand, The SCAMBOT Holiday Special is available as an instant download for only $5 at MooseMart. (Listen to The SCAMBOT Holiday Specette, a one-minute sampler, here.) ABOUT THE SCAMBOT HOLIDAY SPECIAL
Possibly as a result of all that, I think he had an unusually strong influence on the construction of The SCAMBOT Holiday Special, but I also feel strong echoes of Firesign Theatre in it, and of Brendon Small's work on Home Movies. And also, very specifically, the influence of variety TV shows from the '60s to the present. So that's a little listing of some of the influences on this insane little thing. This is an interesting little holiday presentation which I've written and produced here. It's about fourteen-and-a-half minutes long; five tracks, with tracks 1, 3 and 5 acting as framing devices for tracks 2 and 4, which are full-length studio recordings of the songs "Holiday Face" and "Salve-Dependent Scorpions." "Holiday Face" is a new acoustic instrumental recording done specifically for this CD. It reminds me compositionally of "Thanksgiving" but has an even more intimate studio vibe than that song, and I tracked it with Mike Harris engineering at Chatfield Manor. Me on all instruments: two acoustic guitars, bass, organ, tambourine and other percussion. Bunch of vocals and a wah-clavinet solo at the end that I'm really happy about. "Salve-Dependent Scorpions" is an alternate take of an instrumental piece from the upcoming multi-volume work SCAMBOT. The basic track was recorded on analog tape by Tom Trefethen, and has me on Hammond organ, Rick Musallam on electric guitar, Bryan Beller on bass and Joe Travers on drums. (This was, surprisingly to me, the first studio session of the Guitar Therapy Live version of the Keneally Band.) Later at Chatfield Manor we overdubbed two takes of Evan Francis on alto sax, and two takes of me on lead guitar. The version which will be on SCAMBOT will be entitled "The Scorpions" and will feature such completely different guitar and sax performances that it's essentially another composition. Have to admit to a strong Frank influence on the guitar performance. Tracks 1, 3 and 5 of the The SCAMBOT Holiday Special ("The Quest," "The Swordfight" and "The Owl") are twisted little combinations of electronic music done on a Moog, other added effects, and dialogue/narration/singing which advances a peculiar narrative (I originally wrote it as part of the actual SCAMBOT album-slash-comic book story continuity). I couldn't find a way to wedge it into SCAMBOT comfortably, but it now forms the conceptual backbone of this Holiday Special. It's in these short segments, which illustrate a surreal imaginary late-'60s television holiday special about a quest of some kind, that the Firesign and Brendon influences come to the fore, but there's also some heavy Lumpy Gravy and Läther influence in there. I can't help it, sorry. The CD-R was mastered by Scott Chatfield at the Manor, and served up fresh to those of you who wisely choose to treat themselves and/or their loved ones to fifty bucks worth of quality Moosemart merchandise (a copy each of the hat. and Boil That Dust Speck special editions, for instance, and you're already there. Just saying). *** Thank you for continuing to enjoy and be interested in the stuff I do-- I seem to be getting more fired-up and productive as time goes on, and I very much appreciate you being part of it all. may you soon receive a backrub, Mike |
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Keneally video profile from Innerviewworld.com
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Check out new KMB videos!
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In addition, all three out-of-print Exowax bonus CDs that helped make the sold-out Special Editions so special are still available for downloading at MooseMart, including the interview/music disc Nonkertalk, the live acoustic Dancing With Myself and the exquisite re-imagined Wooden Smoke Asleep.
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SAN DIEGO, CA, February 5, 2008: Ace videographer Steve Laub captured Mike, Doug and Marco as they opened for Robin Trower at 4th & B in early February. Here's "My Dilemma;" many more songs and videos are here! |
| Read about all of Mike's CD releases... |
Mike's Satriani Tour, Vai Piano Shows Careful with that! It's inky! It's Wednesday afternoon and I'm back. Back in the land of devising new Vai piano arrangements, inch by inch. It's not easy living in this land, but what I'm hearing is crazy. This week is devoted to "Under It All." Intense. I'll be playing three new piano arrangements, and four older ones, at the Steve Vai festival in Groningen in October. It'll be the first time I've ever done live performances of these arrangements. I'll be in fighting trim as a keyboardist, because in order to do those two performances for the Vai festival, I have to take a break for three days from the Joe Satriani European tour that I'll be playing keyboards on. The Satriani tour. In response to a lot of questions: yeb, I'll be touring with the Satriani band late this year and early next. I'm extremely excited to tour with this group, as I had such an amazingly good time making Joe's new album (the mixes for it are just finished, and the release date is scheduled for just before the tour starts in October). The two shows I won't be able to play with Joe, because of the Vai solo piano gigs, are the ones in Glasgow and Birmingham - sorry not to be able to make those, but Jem Godfrey will be subbing for me at those gigs and he is superb. You will find the relevant data, as it currently exists, regarding the Satriani tour and the Vai festival performances, here!
And! We are nearing completion of the video-editing phase on the DVD which will accompany the new CD Evidence of Humanity, by me and Marco Minnemann. This album is my entry in the Marco Minnemann Normalizer 2 series, in which a variety of artists create an album's worth of music to accompany the same 51-minute improvised drum solo. Already released have been albums by John Czajkowski, Trey Gunn, Kerry Chicoine, Alex Machacek and Marco's own take on it. All completely different albums, which all use the same drum track in wildly divergent ways. Now, a bit later than I'd expected to finish it, here comes my version... ...and since it took a while for me to finish, and it's been two years already since the music on Disc 1 (the CD) was recorded, we decided a more current collaboration would round out the package nicely. We videotaped a 54-minute live duo improv that Marco and I did a few weeks ago (and also videotaped a bass overdub I did a few days later), and this additional album-length musical performance appears on Disc 2 (the DVD), Elements Of A Manatee. The DVD also features interview footage with Marco and me talking about the making of Evidence of Humanity, about the entire Normalizer 2 concept, and an oodle of additional topics, conducted in the car on the way to the album cover photo shoot at the Salton Sea. The CD/DVD package will cost $20, and the music on Disc One will also be available for digital download. More information, including pre-order data, coming terribly soon! A couple of weeks ago I did about 90 minutes of recorded improvising with Marco and Julie Slick. What I heard played back sounded really good! And Julie's food was really just unfairly wonderful. I want to thank Megaphone of Destiny, and Ovidiu, for the really marvelous Scambot 1 reviews. (Megaphone of Destiny's review made me feel very "understood." Thanks MoD.) I would love for more people to know about Scambot 1 - I'm so happy with that album. Please continue spreading the word about it if you get a chance. In the misty future dep't: I've got about 35-40 minutes of material recorded for Scambot 2, well, a little more probably. In the planning stages to record an album-side-length suite based on the music I've written with Andy Partridge over the last few years (which I'd love to release next year on vinyl and download). And we've got these Sluggo! multi-track files staring us in the face...hmmm...haven't mixed anything in surround for awhile... Back to the piano! Yaaah! *whipcrack* Mike
Keneally Concert Calendar
Wednesday, September 15, 2010 THEY'RE BOTH THE SAME BAND Mike Keneally - guitar/keys/vocals The Baked Potato Mike on keyboards with Joe Satriani in Europe*
Friday, October 22, 2010 Steve Vai Festival De Oosterpoort
Scott Chatfield sent me a small boatload of questions about Scambot; here's my responses:
More Answers! q. What's SCAMBOT 1? a. It's my new album, which has been about ten years in the making. Co de Kloet of NPS Radio, Netherlands, wrote this about it on his Facebook page:
(thank you for saying that, Co)
SCAMBOT 1 is 67 minutes long and contains 18 pieces of music, which are called:
It was written and produced by myself, primarily recorded at Chatfield Manor and engineered by Mike Harris, but ultimately involving six different recording locations and nine engineers. The executive producer is Mr. Scott Chatfield. Artwork was co-created by myself and the esteemed Atticus Wolrab. The concept of Scambot had its genesis in a comic strip I drew in one of my sketchbooks in 2001, while I was working on Wooden Smoke. It was fleshed out further, with the addition of new characters, during the making of The Universe Will Provide and Dog in 2003, and for the past five years it has been my central creative project, one obviously very long in gestating. (The earliest music it contains is "You Named Me" from 1998, recorded during sessions which also resulted in Nonkertompf.) The project evolved in an intentionally relaxed and organic fashion, with no time-related pressure placed on its creation. The three different aspects of the Scambot universe - my character art, music/lyrics, and written plotline/dialogue - each grew individually while they influenced the development of the other two aspects. It was a blast, I am freaking pleased as punch that it's finally done and that I enjoy it as much as I do, and I'm very happy that you'll get to hear it soon. There is a plot, and a bunch of characters; the CD booklet contains a very long story I wrote which lays out all of the action. Most of the plotline isn't explicitly referenced in the songs; I didn't want exposition to get in the way of a pure musical experience, and I also wanted it to be mostly instrumental, so the heavy plot-lifting is done by the story in the booklet. (If you order the download, you'll receive a digital copy of the booklet.) In brief it's about an embittered composer named Ian McPlant, whose consciousness is hijacked by an industrialist named Boleous T. Ophunji. Much else occurs which I won't detail here, but it's a pretty funny story, and definitely an odd one. I was abashed when I recently re-read Kurt Vonnegut's "Sirens of Titan" after finishing my story, and saw plainly how much of an influence he's had on my fiction writing...anyway I think it's a snazzy read and I hope you like it. (The story will also form the backbone of an online comic strip, called SCAMBOT. More of that, another time.) Musically speaking, it's about two-thirds instrumental. Stylistically, it's my most varied work since Sluggo!, I think. It encompasses a little bit of straightforward-ish rock and pop, a lot of rigorous composition and arrangement, some obsessively intricate vocal and instrumental harmonies, some improvisation which has been orchestrated, some digitally-manipulated musique concrete, some purely uncategorizable stuff and, I think, some of the most interesting melodies I've come up with. It is a peculiar album but I think very satisfying as a journey, and emotionally it hits a lot of different moods. The personnel changes radically from song to song. Some of the material was done by myself; some originated in a Keneally/Beller acoustic album we were working on for a while; some of it was recorded by the Guitar Therapy Live version of the Mike Keneally Band (me, Bryan Beller, Rick Musallam and Joe Travers). One track was recorded with an eleven-piece ensemble including members of the Metropole Orkest, which we dubbed the Minipole. (The rest of the recordings from the acoustic album and Minipole sessions will see release at another time.) Evan Francis played some wonderful sax, clarinet and flute, and many deeply unthinkable drum overdubs were performed by the breathtaking Marco Minnemann - if you enjoy Marco's work, you need to hear this. My daughter Jesse Keneally also does some singing on the album that I personally find to be achingly beautiful, and I swear I would say that even if we weren't family. We devoted intense energy to every second of the album. I'm very happy with how all the songs, and the weird imaginings therein, have been given life. Also! Once Scambot 1 was done, I used the residual energy from making it to quickly create a second album, using some additional material that was done during the Scambot 1 sessions, and a lot of newly recorded music as well. This 2nd album is a 53-minute opus called
which is only available as Disc 2 of the SCAMBOT 1 2-CD SPECIAL EDITION. This is a limited, numbered release of 3000 copies, containing both brand-new albums totaling two hours of music, plus a beautiful slipcover designed by Atticus Wolrab. Here are the songs which make up Songs and Stories Inspired by SCAMBOT 1:
(the great majority of the music on Disc 2 is unique to it; three of the pieces are remixes of songs from Disc 1, plus one demo.) This is a very uncompromising album, with a lot of guitar improvisation, demanding sonorities, alien vocal textures, truly insane song structure and many crucial pieces of the Scambot plot continuity. Plus a very entertaining credit sequence. If you are intrigued by the conceptual world of Scambot, it's heavily advisable to hear both albums. (Songs and Stories Inspired by Scambot 1 is NOT Scambot 2 [my apologies if this is stating the obvious]. Scambot 2 and 3 are projects for the future. I want to make serious progress on three projects I'm working on with Steve Vai, Andy Partridge and Matt Resnicoff, all of which will either be released or heavily nudged forward before future volumes of Scambot see completion.) There will be three ways to invite SCAMBOT 1 into your life: 1. The 2-CD limited Special Edition including two new albums: SCAMBOT 1 and Songs and Stories Inspired by Scambot 1, 2. The single-CD SCAMBOT 1, 3. The SCAMBOT 1 single album download, available when the CD is released. Want a taste? Download for free, right now, the SCAMBOT 1 song "Tomorrow" HERE! ********** What else? The last My Keneally tour I did with Bryan Beller was fantastically worth doing. It ended up being a really moving experience for Bryan and I, and I hope it was as well for our friends who booked us for that incredibly varied and exciting run of shows. We played in people's houses, behind their houses, in venues small and not-so-small, on a pier, and on the wings of a hang glider (that one, not really). It was awesome and we want to do it again starting January 18, starting on the West Coast this time, and encompassing as much of the US that we didn't visit last time as it is possible for us to encompass. Wanna book Beller and I for a gig? We dig the house concert vibe but you can put us anywhere you want. Please contact us at mykeneally@keneally.com for details if you're into it. Be aware, too, that exclusive live tracks recorded during the first My Keneally tour in August are now available to request and hear at www.radiokeneally.com. The first date of the Dethklok tour is Portland, Oregon on October 2, and we'll be out for about a month and a half. Seriously, this band is killing right now, and I can't wait to hear Mastodon every night - I love those guys. I'm excited to be introduced to the music of our two opening bands, High on Fire and Converge. What a ridiculously good time this is going to be. I did an extensive road diary on the last Dethklok tour - we'll see if I have the stamina to do anything similar this time around. Thanks you guys. I'm way grateful for all of you. Pavement reunion next year! Love - Mike |
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Wine And Pickles -- studio recordings 1998-2006 being a collection of unreleased things, rarities and allsorts from the last several years or so Mike describes Wine And Pickles as "the album I didn't know I was making over the last ten years." Lovingly assembled from a wide array of archived sources, W&P serves as a surprisingly cohesive alternative history of Keneally music. Notable among the 21 gems are the legendary original version of "Backwards Deb;" "4S," a piece written for Holland's acclaimed Metropole Orchestra; "Inhale," a gorgeously melodic collaboration with Lyle Workman; and "The Endings Of Things," a stark, confessional performance from 2000's Dancing sessions. The CD contains an eight-page booklet with Mike's original artwork, pithy personal notes about each song, and lyrics. Download "Inhale" from Wine And Pickles for free! Here's a wonderful complete song that you can download for free to get an idea of what Wine And Pickles sounds like (although there's an embarrassment of variety on the album). It's track 9 (a high-quality 256k VBR mp3 and a 12.3 MB zip file download) directly from the master, and we hope you'll want to hear more. Mike describes the genesis of the track: "Lyle [Workman] composed, performed and produced the instrumental backing track by himself, then asked me to write a vocal part for it. His track was so fantastic, I could hear the vocal parts screaming at me just listening to it and I had the lyrics and melody written inside of a couple of hours. It was recorded in 1998, and released in 2000 on Lyle’s brilliant second album. I’ve gently begged Lyle to record an album’s worth of killer instrumental tracks that I can stick vocals on, but he’s been busy providing the soundtrack to the Judd Apatow cinematic empire-- and good on him – Lyle is entirely a genius and a sweet man and deserves all great things." Click here to get your free download. And if you like what you hear, you can get the whole CD from MooseMart. JazzTimes' review of Wine And Pickles
Down Beat's review of Wine And Pickles
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| Two editions of Scambot 1, plus T-shirt, now shipping! | ||
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| Scambot 1 Standard Edition | Scambot T-Shirt | Scambot 1 Special Edition |
- Progarchives.com posts a couple of Scambot 1 reviews
- Scambot 1 hits Peter Hodgson of iheartguitarblog.com. Hard.
- Richard Gehr of The Village Voice calls MK a "prog-rock humanist" while previewing the NYC show.
- Ytsejam.com calls Scambot 1 "a masterpiece, if you allow it to be."
- The June 2010 issue of Guitar Player features an article about Mike, Scambot, Zappa and Dethklok by Barry Cleveland (print only; additional web links here).
- Barry Cleveland talks with Mike about the upcoming Normalizer 2 project at GuitarPlayer.com
- Kerry Chicoine and Sean Tonar interview Mike about his relationship with music at ProgressiveEars.com.
- Sean at ProgressiveEars.com seriously digs Scambot 1
- Jambands.com's Pat Buzby tackles Scambot 1
- Mike talks Scambot, Dethklok and more with iTalkGuitar.com's David Mead
- The Buffalo News' Jeff Miers ranks Scambot 1 second on his Top Ten of 2009, over Springsteen, U2, etc.
- Jambase.com gives props to Scambot 1, courtesy of Dennis Cook
- John Kelman of All About Jazz on Scambot 1: "It rarely gets any better than this. [One of the] Best Releases of 2009."
- Scambot 1 tops the year's 25 best on Jedd Beaudoin's Strange Currency radio program
- Volkmar Mantei of Germany's Ragazzi-Music.de reviews Scambot 1 (crummy automated English translation here)
- Beppe Colli of CloudsAndClocks.net describes Scambot 1
- MetalJazz.com's Greg Burk encounters Scambot 1
- Mike digs this Scambot 1 review by Mark S. Tucker for the Folk and Acoustic Music Exchange
- AC.tv visits with Mike backstage at the final Dethklok show of the Fall '09 tour
- Sea of Tranquility's John Neudorf and Pete Pardo each give Scambot 1 four stars
- Troy Van Horn of Hardened Magazine conducts an incisive, Scambot-centric interview with Mike
- Ghostland.com's Chad Hutchinson reviews Scambot 1
- Jeff Kent's Aural Addict spotlights Scambot 1
- TheProgFiles.com's Hande Burdg and Dale Juday present a very cool audio interview with Mike and Bryan
- Beppe Colli ties up some loose ends with Mike for Clouds and Clocks
- Here's a video profile of Mike from Innerviewworld.com
- The San Diego Reader profiles Mike
- Wine And Pickles gets the MetalJazz.com treatment
- Clouds and Clocks' Beppe Colli reviews Wine And Pickles
- George Varga of The San Diego Union-Tribune profiles Marco Minnemann and KMB
- Audio/Video Revolution's K.L. Poore calls Wine And Pickles "exquisite"
- RollingStone.com reviews Dethklok's New York concert
- Mike talks with DDDorian at Sevenstring.org
- Modern Guitars Magazine's Mark J. Rabuffo interviews Mike and reviews the hat. and Boil reissues
- The Chattanooga Pulse's Bill Colrus spotlights the Keneally reissues
- Barry Cleveland of Guitar Player recommends the hat. and BTDS reissues
- The hat. and Boil That Dust Speck reissues get five stars each from Sea of Tranquility.com
- Jeff Tamarkin of Relix relishes the hat. and Boil That Dust Speck reissues
- MetalJazz.com reviews the first two Keneally reissues
- Ytsejam.com's enlightening revisitation of hat. and Boil That Dust Speck by Jedd Beaudoin
- CD HotList recommends Guitar Therapy Live for libraries
- Jedd Beaudoin's extensive MKB profile in the Wichita City Paper
- Guitar Therapy Live rated "Best of 2006" by Jazziz's Bill Meredith
- All Music Guide's Sean Westergaard names Guitar Therapy Live among 2006's best
- Jay Roberts from Rock Is Life.com doesn't get it
- Jazziz reviewer Bill Meredith calls GTL a "lesson in creativity, improvisation, and interplay."
- Sean Westergaard of All Music Guide digs that GTL Special Edition DVD
- AudioVideoRevolution's KL Poore likes GTL, but thinks the vocals are mixed too low
- Guitar Therapy Live nominated for Best Rock Album by San Diego Music Awards
- GTL is an "improvised feast," says Guitarist UK's Simon Bradley
- Barry Cleveland of Guitar Player digs the GTL Special Edition
- Guitar Therapy Live among "Best of 2006 So Far," says All Music Guide
- Robert Fripp blogs about MK & GTL
- John Kelman at AllAboutJazz.com reviews GTL
- San Diego Union-Tribune's George Varga calls GTL "mind-bending"
- Marc Harris writes about GTL in Wood&Steel
- AllAboutJazz.com's Glenn Astarita inspired by Guitar Therapy Live
- Caley Cook of San Diego CityBeat is uninspired by Guitar Therapy Live
- Joe Doherty of Jambands.com takes a hit off Guitar Therapy Live
- All Music Guide's incisive 4 1/2-star review of Guitar Therapy Live by Sean Westergaard
- ProgSheet.com on the "happy, noodly, bopping" GTL
- BlogCritics.org writer Tom Johnson enjoys GTL
- Beppe Colli interviews Mike on many topics at CloudsAndClocks.net and also reviews GTL
- Michael Senft of the Arizona Republic reviews Guitar Therapy Live
- The Anchorage Press announces GTL's release
- The Chattanooga Pulse's Bill Colrus responds well to Guitar Therapy
- Eric Porter's GTL review at ProgressiveWorld.net
- Pete Pardo of Sea of Tranquility gives Guitar Therapy Live four-and-a-half stars!
- Dave Connolly's Progrography site reviews GTL
- Vyuz.com's David Moye talks with Mike about Guitar Therapy Live
- The Humboldt Beacon reviews MK at Lost Coast Live
- Mark S. Tucker reviews Guitar Therapy Live on OpEdNews.com
- Eugene Baak blogs about Mike, Zappa, The Universe Will Provide and more
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